Friday, October 26, 2018

100,000 Years

You'd be forgiven for thinking that this post's title referred to the expected wait times next year for the attractions in Star Wars: Galaxy's Edge. Or the amount of time before the Disneyland thesaurus will have a reasonable amount of information. Instead, it refers to another thesaurus milestone.

While it is hard to convey how much information is in the thesaurus, one (incomplete) measure comes from the quantities of certain types of information. There are currently 93,730 terms in the thesaurus and 370,665 relationships among them (hierarchical, equivalent, and associative). Not all terms are created equal, of course. Some will have many relationships and some will have few (possibly because of the sources I have and haven't examined).

One thing that has been very important to me for as long as I've wanted to create the ultimate Disneyland reference work has been recognition of the Disneyland Cast. Back in the late 1990s, there was very little information published for the public from the Cast perspective (with Van France's Window on Main Street autobiography as the best source). When I began the thesaurus project in 2007, I had a feeling that the sheer number of Cast Members would be overwhelming. But I didn't set any sort of a significance threshold for entering names and information about the Cast into the thesaurus as I came across it—and I'm glad I didn't.

As I continued to go through internal sources such as the Disneyland Line and Backstage, I found that some names showed up over and over. It was small reward to occasionally find a reference to someone starting at the Park, another mention years down the road, and finally a "Golden Ears" retirement profile. (I have also sometimes run across their obituaries in the newspaper articles I've saved.) Listings in telephone directories through the years have helped to build profiles of individuals through the years.

As of this writing, I have 24,224 Cast Members in the thesaurus. With this many individuals, and with the small amount of information I often have, it is likely that some people appear under more than one name (such as if a maiden name changed to a married name) or if I had inadvertently lumped two distinct people with the same name into one term. I have tried to take these considerations into account, but sometimes I just have to take a guess. Here is how the Cast is broken down by decades:

1950s Cast Members: 2,436
1960s Cast Members: 3,782
1970s Cast Members: 4,272
1980s Cast Members: 3,471
1990s Cast Members: 4,942
2000s Cast Members: 13,669
2010s Cast Members: 4,315

A different way to quantify the Cast information is to look at the service anniversaries I have documented in the thesaurus, which brings us back to the post's title. This morning I reached 100,000 years of service anniversaries. ONE HUNDRED THOUSAND YEARS! That accounts for the anniversaries recognized by Disney at five-year intervals. I have gone off published service lists. I have also used retirement mentions if they include the years of service. I have not assumed service anniversaries, even if I see that somebody has worked at the Resort in different decades. Here's how they break down by length of service (I only assign the longest anniversary):

5-year Cast Members: 949 [this category has not been published in the Line in years]
10-year Cast Members: 2,955
15-year Cast Members: 1,483
20-year Cast Members: 706
25-year Cast Members: 413
30-year Cast Members: 301
35-year Cast Members: 126
40-year Cast Members: 88
45-year Cast Members: 44
50-year Cast Members: 5
55-year Cast Members: 1
60-year Cast Members: 1

If you've ever worked at Disneyland, thank you for your service!

Sunday, January 28, 2018

Hey, That's My Scan!

Do you remember my blog post from April 17, 2008? Good. It showed what the very second publication of the Disneyland Line looked like. Unfortunately, I still have been unable to track down the very first edition of this longstanding publication. And I recently learned that perhaps Disney doesn't have it available easily internally, either.

The January 13, 2011 Disneyland Resort Line featured this item:

This could, of course, be from any scan of the April 11, 1969, publication. It's cropped a little more than my scan, the color balance is different, the bleed-through from the second page has been corrected, and the hole punch in the "Disneyland" is not there.

What is apparent, however, is the evidence of the lower two hole punches and the overall fading around the edges. (The logo hole punch could have been corrected because it was more visible.) The first thing that caught my attention here was that they "chose" to use an image of the second issue published, rather than the first. When I first saw the item, I was hoping to finally see what the very first issue looked like! It wouldn't make sense to choose the second if you had the first. And then I began examining it and found similarities to the scan I had posted almost three years before this issue.

What do you think?

Wednesday, January 10, 2018

A Preview of a Conceptual Disneyland Resort Thesaurus Output: Matterhorn Mountain

Prompted by Major Pepperidge's question about when the hell this will benefit anyone (paraphrased, to be sure), I threw together a sample of what a print output of the Disneyland Resort Thesaurus could look like. I did manual tweaking to output from the database, but did only minimal review to determine if the quality of the information could be improved.

First, a word about what the output would look like. When most people think of a thesaurus, they think of an alphabetically arranged list of words listing synonyms and, possibly antonyms. But it actually is much richer at capturing not only this kind of relation, but also hierarchy (broader and narrower terms) and other kinds of relations. A thesaurus can also have text fields to, for example, give a thesaurus user an understanding of how the use of a term has changed over time. My thesaurus is very rich in all of these areas.

The most famous thesaurus, Roget's Thesaurus, had its primary organization by subject hierarchy. Go look at an early version of the book over at the Internet Archive to see for yourself. Since I'm not trying to capture the relations between all of human knowledge as represented by words in the English language, I already have a much more manageable field of knowledge to tackle than Roget. The alphabetical index was more of an afterthought to facilitate use of the hierarchy, but in practice this list became the primary way that the thesaurus was referenced.

I would envision both a hierarchical output and an alphabetical. For this little project, I focused on Matterhorn Mountain, since it is old enough and important enough to have a fair number of connections. Here is what a hierarchical page which includes the mountain could look like:
(Note: As this is modeled after an actual reference work, you will need to expand the image.)

As I implied, there is still work to be done in refining the classification. The Fantasyland Break Area, for example, could be part of one of the buildings (such as Fantasyland East Building), and I just haven't yet come across that information. I try to only go as far as the facts of sources yet referenced will take me. And if you look closely you'll see that I'm also behind at keeping up with the latest tenant of what I collectively call the Fantasyland East Castle stores.

You would find much more information in the alphabetical output, as seen in two fanciful pages below:

You'll immediately notice that there are a number of different types of things here, from people (Mattey, Bob, Sr.) to ride vehicles (Matterhorn Bobsleds bobsleds) to attractions (Matterhorn Bobsleds) to companies (Mattel) to generic roles (matte painters).

What do all the codes mean? Well, BT (broader term) and NT (narrower term) are somewhat self-explanatory. UF (use for) is the inverse of USE, and indicates that that is the preferred term, which may be based on official Disney nomenclature, literary warrant, or my own determination of the most widely used term to define a concept. The SRC note field is to capture the precise way that something has been written. This accounts for not only different terminology (Matterhorn Bobsled Ride versus Matterhorn Bobsleds), but also spelling variations and misspellinngs (Matte, Bob versus Mattey, Bob, Sr.). Some of the terms have brief descriptions of what they are, which are drawn from categories within the thesaurus. The decades are drawn from a "Disneyland Resort Era" category, to help me assign terms to their relative periods of significance.

RT stands for related term, and RTI for related term instance. SPOF (which here you'll only find under Mattel) stands for sponsored, formerly. CTBF stands for contributions from, and is a broad relationship to capture any type of contribution to the creation or execution of something, without going into more detail (the inverse is CTBT, contributed to). For example, Mattey, Bob, Sr. contributed to Haunted Mansion, The, but I don't specify what that was. (In this case, it's because I don't know—I got it from his D23 profile.)

DN stands for date note and usually captures either the dates of a person's birth and death or of the operational dates of an attraction.

I hope you've enjoyed this peak behind the curtain. If I just focus on prettying up one page per day, I should be nearing completion as Disney adds a fourth gate in Anaheim and I have to start all over again!

Monday, January 8, 2018

5,000 Pages of Disneyland Lines Thesaurused

Tonight I thesaurused my 5,000th page of Disneyland Line material. (I'll get to what that means in a minute.) Back when I was a teenager, I received a collection of of Disneyland Lines and other Cast Member materials which stretched back to the late 1970s. I considered myself well-read on Disneyland history, but the Lines had countless stories about things I otherwise knew nothing about. They were a window into a Disneyland I did not know and felt I could know no other way. I doubted then that I would ever have access to a complete collection.

Fast forward a few years and my conception for the Disneyland Compendium (the ultimate Disneyland reference work) included the need to methodically comb the entirety of the Disneyland Line run (then 30 years, now approaching 50), as well as other Cast Member publications. My belief in that approach hasn't wavered, and I was fortunate enough ten years ago to be put in touch with a Cast Member who had saved nearly a complete collection and let me borrow his binders to systematically scan. The more I reviewed, the more certain I became of my approach.

While the Lines have been a major focus of the project (as evidenced by the number of pages reviewed to date), they certainly don't tell the full Disneyland story. Other Cast Member publications on which I have relied include the Disneylander (512 pages, largely completed in 2012); Backstage Disneyland (182 pages, 9 issues); and the Inside Disneyland newsletter (240 pages, 65 issues). Other sources include The Disneyland News (260 pages, 19 issues), The "E" Ticket (620 pages, 19 issues), several books (including the 2006 Disney A-Z and the 2000 Disneyland: The Nickel Tour), and 788 newspaper articles and advertisements.

I learned early on in the thesaurus construction process that it was important to have a variety of types of sources, because it ensures the best chance to capture diverse concepts and terms. But with the benefit of time, some of the depth is also starting to come through. I may be entering information about a Cast Member in the thesaurus only to find that I had previously input a story about their arrival, or their retirement, or even occasionally an obituary. My work carefully documenting the Line's terminology helped reveal when the Park began the shift from "Disneyland employees" to "Cast Members."

I've talked a lot about the sources I've used, but haven't yet addressed my use of "thesaurus" as a verb. It means that I have read, analyzed, and transcribed the text for relevant Disneyland-centric portions and entered it into the thesaurus (database). I have also entered any new relationships that the source suggests.

5,000 pages of Disneyland Lines doesn't mean that everything on each of those pages is relevant and has been entered. The activities sponsored by the Disneyland Recreation Club, for example, occur frequently in the Line but are not quite as represented in the thesaurus. I include mentions of Cast Members, but not what those sporting events were. This linkage ensures that if someone were interested in a particular Cast Member, they could still follow the reference to find out more. This came in handy a number of years back with a co-worker whose mom had worked at Disneyland, before dying of cancer when the co-worker was young. I was able to find reference to her on a DRC bowling team, a fact which was new to her.

Let's take a look at the process, using a particular Line (December 24, 1987) that put me over 5,000 pages and is pedestrian but for one detail. This one represents my first (and I believe only) mention in the Disneyland Line. I do feel that there is some irony in that I appeared at the age of 5 and in all the years since of researching and writing about Disneyland, as well as being one of the more voracious readers of the Line, have not made it back.

While I've been writing that I treat the entire issues as a source, the reality is that I break it into manageable units based on the level of "aboutness." Practically for the Disneyland Line, this breaks on an article basis. I generally try to associate the article text with a single term in the thesaurus, which sometimes results in the creation of a new term.

For any publication, my first step is to enter the colophonic information so I know who contributed to the publication and can trace changes in the title and personnel. For example, for a time in the 1970s, the Disneyland Line logo was changed to The Disneyland Line, but other references (such as in the colophon) omitted the definite article. So, in the thesaurus, I've kept the publication as Disneyland Line from its beginnings until it was renamed Disneyland Resort Line with the December 31, 1999 issue.

The first unit following the colophon, as is often the case, is the cover story. For several years, Disneyland had a Children's Christmas Art Contest, for young relatives (children, grandchildren, brothers, sisters, nieces, and nephews) to create Christmas illustrations based on a given theme. I participated a few times, but this was the only time my failure was documented in print.

The cover page, at the beginning of the post, didn't yield any information except for the title.

This Line was a little unusual in that it had pages which folded out, so you see the first- and second-place winners before getting to the story describing them.

Each of these Cast Members has a new term created or an existing term updated, as well as linked to their work location.

Now we get to the heart of the story. I created a new term Children's Christmas Art Contest to serve as an umbrella term for all instances, and then a narrower term (NT) Children's Christmas Art Contest (1987). They were both assigned categories of Cast Member program, currency of former, and Disneyland Resort era relevance (DLRERA) of 1980s. I noted that I was mentioned in this Line. The other children, with one exception, were entered in the plain text field, but were not entered as new terms. The exception was Nate Jurczyk, because I already had him in the thesaurus as a Food Operations Cast Member.

The next page contributed to three main terms: Candlelight Procession & Ceremony (1987); Jones, Velma; and Ebierno, Fred. Town Square; Candlelight Procession, The (1987); Train Station (Main Street, U.S.A.); Main Street; and Disney Employee Choir were also referenced in the SRC field. Interestingly, although I already had 14,000 Cast Members in the thesaurus, I did not have either of the retirees, who had been there for nine and 19 years.

This page yielded little information—only SRCs for Accounting Control; Area Office; Barbara Warren; Publicity; and Disneyland Community Action Team.

Although the 1988 Tournament of Roses Parade did not have a Disneyland entry, it did have Disneyland involvement through the Float Drivers pictured here, and the float co-sponsored by The Walt Disney Company. I had only previously come across the term Float Drivers in the Disneyland Line of June 10, 1976, and had no associated Cast Members. This article contributed information to the 1988 Tournament of Roses Parade term, as well as those for the named/pictured Cast Members.

The Cast Activities department replaced the Disneyland Recreation Club in coordinating extracurricular activities for the Cast. The only thing I used from this page were SRCs for WDI and Studio (Walt Disney Studios).

The final page again contains very little information used in the thesaurus, aside from the colophon which I examined at the beginning of the issue.

The entire process for this issue took about an hour, including transcription. This Line contributed to 100 notes within the thesaurus. Some terms will have multiple notes from this issue, such as a SRC for Candlelight Procession, The (1987) and definitional information in Candlelight Procession & Ceremony (1987). The Line contributed information on 29 Cast Members, including the two children who I know went on to the role later in life. 14 of these Cast Members were new to the thesaurus, while the other 15 had appeared before—sometimes from multiple sources. For example, Jurczyk, Dee appeared frequently because of her role with Cast Activities. My earliest reference to Byrne, Bill came from the November 1970 Inside Disneyland, when he completed an introductory training program.

In all, Disneyland Lines have contributed to information in 21,585 terms across the thesaurus. It's been quite a resource to this project and I look forward to continue combing through them. Maybe in the next thirty years I'll have the opportunity to appear again!

Saturday, December 23, 2017

A Status Report

It has, admittedly, been some time since my last post. Some life events transpired and put thesaurus work on hold. (To wit, losing a parent, having two children, and purchasing a historic home which "necessitated" digitizing over 33,00 pages of Anaheim newspapers from microfilm, in the process learning that somebody already in my thesaurus got married in my house in the 1920s.)

I recently resumed work on the thesaurus and, while recognizing the daunting task of wanting to enter every piece of information about everything related to the Disneyland Resort, was impressed at the progress I had made over the course of the previous ten years. (The thesaurus itself turned ten on August 19 of this year.) As I work through sources, it's interesting to see a "mosaic effect" emerge for Cast Members in particular. You can check the sidebar for the latest statistics.

I felt this would be a good time to provide an update on the sources used to date. The project's origins can be traced to my receiving a cache of the weekly employee publication the Disneyland Line almost exactly twenty years ago. These issues contained details I had never seen before and doubtless were recorded nowhere else. I knew when I was a teenager that a complete history of Disneyland would need to begin with assembling a library of these. I didn't have any idea then how that might be accomplished, but through connections and persistence have put together a valuable digital library.

It is through this source that I have spent the most time. As of today, I have meticulously combed through 516 Disneyland Line publications—over 4,800 pages. That's approximately 20% of all the Lines published. My collection from 1969 and 1970 is only about 50% complete, but I have thesaurused those I do have and beginning in 1971 completed everything through November 3, 1977, as well as many later ones. These have contributed information to over 24,000 fields in the thesaurus.

There are other Cast Member publications on which I've made significant progress. The Disneylander, the first publication, has contributed to 8,399 fields. I have gone through every issue of this I know to exist (there might be a few issues still outstanding). I have gone through every issue of the University of Disneyland Newsletter/Inside Disneyland, a monthly publication that picked up several years after the Disneylander and overlapped a few years with the Disneyland Line. These have contributed to over 4,000 terms. These publications were over 750 pages.

Backstage Disneyland, a dense Cast Member publication from Winter 1962 to Summer 1980, is mostly unexplored. The eight issues (out of 36) I have thesaurused have contributed to 3,090 fields. I still have 650 pages to get through with this publication.

I have gone through every issue of The Disneyland News from July 1955 through October 1956. These 252 pages have yielded an amazing amount of information and terms from the earliest period of Disneyland's history; I still have another 100 pages to thesaurus.

A smattering of Disney News/Disney Magazine (9 issues) and Disneyland Holiday/Vacationland (16 issues) have been entered.

I have only fully thesaurused a few books, but they are important. Disneyland: The Nickel Tour (2000) was the first, along with Disney A-Z (2006). I am working through the 2016 edition of Disney A-Z, this time entering the full volume to capture the peripheral Disney connections.

There will be more updates to come as I continue to build a completely unique resource for Disneyland historical research.

Friday, February 27, 2015

A Mountain Dream Come True

What are you looking at?

I have previously blogged about Mineral King, discussing my first visit there in 2005 with Bob Gurr, the way you can see it through aerial photography, and the 2009 designation of the valley as wilderness. I recently returned from Mineral King from my seventh visit, but this one was special--my first winter visit.

To refresh your memory on Mineral King: long a part of Sequoia National Forest, the area saw repeated interest as a potential ski resort. Fifty years ago today the United States Forest Service issued a development prospectus and later that year Walt Disney Productions emerged as the winning bidder. Disney bought private land in the valley and the company spent three years creating a master plan for the year-round resort. The Forest Service accepted this plan in January 1969.

Many people believe that the Sierra Club is solely to blame (or credit) for the ski resort not happening. While it is true that the Sierra Club's lawsuit in June 1969 (against the Secretary of Agriculture and the Secretary of the Interior, not Walt Disney Productions) did delay the project, a primary reason the Disney ski resort (or any ski area) never came to Mineral King is the difficulty of getting up there in the winter. As I write in my masters thesis, the barely improved nineteenth-century wagon road did not afford year-round access. Putting a resort in possibly the premiere ski area in the world (a frequent turn-of-phrase in the development controversy) couldn't overcome the cost of modifying the road, or introducing a new transportation system.

Given my immense love of snow, it's only natural that I would want to be up in Mineral King in the winter. There are some privately owned cabins in the valley, which I assumed were inaccessible because of the Mineral King Road's closure from November 1 to Memorial Day. I knew people had gone up there in the winter, but I figured it involved miles and miles of cross-country skiing or snowshoeing, and then tent camping in the snow.

My experience, in comparison, was positively resort-like. In September I befriended Laile Di Silvestro, whose great-grandfather Arthur Crowley had patented land in the valley. This land later became a resort operated by Ray and Gem Buckman. The Crowley Cabin (built 1929) still sits on this land. One of the more interesting things (to me) is that it is actually on Disney property. Well before the prospectus was announced, Disney was interested in Mineral King and had surreptitiously purchased acres of private inholdings in and around the valley. The five-acre resort was prime property that could potentially put a stranlgehold on any other developer's plans. Disney still owns this property, and much of it is the main parking area for valley hikes. As a result of my friendship with Laile, I was able to spend four nights in the high Sierra, on Disney property, surrounded by snow, and we had a national park to ourselves--all completely free. When's the last time you spent a free night on Disney land?

While on the Disney analogy, I must also mention that Laile seemed to me a premiere "Adventures by Disney" guide. An expert not only in the natural and human history of Mineral King, and in the nuances of this aged cabin, and in general hiking expertise and winter survival, Laile also anticipated everything we would need to enjoy our visit to the valley. And again, no surcharge for the service.

ABD Guide Laile

The outline of the trip's logistics was simple enough: Drive as far as we can on the road and then haul our supplies in on sleds the rest of the way. Before the trip I had been warned that we might be snowshoeing in as many seven or nine miles, and to be prepared to spend the night on the road(!)--mountain weather being what it is. However, given the terrible drought and horribly dry recent winters we've been having in California, we didn't have nearly this adventure to get to the valley.

We drove up the road as far as we could, which turned out to be about 22 miles up, leaving another three to walk in. Faculty Flat (named for the many academics who owned summer homes in the area long ago) tends to have some of the deepest snow through the winter because of the tree cover. We came to this steep, snow-covered slope and knew it was time to give up on the automobile.

This is not an all-year highway

Getting the sleds up to the cabin was an adventure. Other cars had made it a bit further up the road, so we had some tire ruts to deal with. The sleds had a mind of their own, and we spent a lot of time righting them. At least on the way up we had greater control over their speed. Near the end of our three-mile trek, once we got to the sunny valley, we encountered a bare spot on the ground near the bridge crossing the East Fork of the Kaweah River. These bare spots were more numerous and troublesome on our way out, after four more days of 50-degree temperatures had melted a significant amount of snow.

The Mineral King Road with iconic Sawtooth Peak in the background

As excited as I was to finally be in the Mineral King valley in winter, it was even more incredible to stay in what I consider the premiere cabin in the whole area. It even has its own webcam attached! The cabin is old, creaky, and drafty (read: literally freezing at night), but it has so much character and history. Propane for the lighting and cooking helped to keep the wilderness at bay, as did the stove we kept feeding firewood to. I mentioned the daytime temperatures being in the low 50s during my visit. Every morning, we so welcomed the sun hitting the cabin at 9:30. It instantly warmed, well, everything. Because of the high surrounding mountains and the low sun angle, however, the sun "set" at the cabin around 2:30 p.m. Our first day this meant we were off the porch and warming up inside.

Crowley Cabin, 1929

Morning view from the cabin's porch

I mentioned the webcam. Here's today's view from the cabin.

There are actually four webcams in the Mineral King area, which we intended to signal from. The furthest down is at the private resort of Silver City. There we constructed a happy face out of some pine cones and pine needles.

We didn't make it to the Faculty Flat cam. In the Mineral King valley itself, there is the cabin camera (pointed toward Farewell Gap) and a camera on a National Park Service structure, pointing to Timber Gap. We'll get to the Timber Gap camera later. For the cabin camera, we came up with some ideas, but the first morning it was past 9 a.m. (the camera usually goes off between 9:20 and 9:30) and we had to do something, so Laile ran out and planted the American flag.

The next morning we took out two chairs, to plant ourselves in the view and have our hot beverages. The third morning we got ambitious and brought out a picnic table, made more difficult by the slushiness of the snow and how we broke through on each step while carrying the weight of the table. On the fourth morning, we felt we had done enough.

You might be wondering why I am not sharing all of these wonderful webcam photos that must have resulted from these efforts. As it turned out, we didn't know the camera's field of vision as well as we thought we did, and so for each of these activities we were out of the field of view. This is just as well, since it felt weird knowing we could be photographed at any moment.

Anyway, while we spent a considerable amount of time inside, we also took advantage of the placid winter weather to undertake a hike each day. The first two days we did five-mile roundtrips, with moderate elevation gain. The last day we did a more gentle exploration of the valley floor. You've already seen the many magnificent peaks surrounding the valley. The corollary is that when you go on a hike, there's no place to go but up, and everywhere you go offers a new perspective.

On our first full day in the valley, we went up to White Chief. The National Park Service describes it as "a steep but scenic hike up the west side of the Mineral King Valley." Steep it was. This marked my first time snowshoeing, but I picked it up pretty easily and enjoyed this new way to experience snow.

We arrived at the White Chief Bowl mid-afternoon, just as the sun was setting behind the mountains:

Our second day, to get some amazing aerial-like photos of the valley, we decided to head up to Timber Gap. The south-facing slopes had lost most of their snow, the exception being that the trail had many off-and-on snow patches (see photo of Laile above). Because I love the view toward Farewell Gap, I consider the Timber Gap trail one of the very best. The first part is rather steep (and in full sun), but offers ever-more-magnificent views with every step up. The trip required snowshoes only as we got under tree cover near Timber Gap. Laile led us out to a little west and above Timber Gap, near her favorite lunch spot. Sitting on the bare rocks, we were treated to a view that included not only the whole of the Mineral King valley, but also the Coast Ranges way out toward the Pacific Ocean.

The striking photo on the cover of Walt Disney Productions' Master Plan submittal in 1969, while taking from the air, was very similar to what we experienced as we had our late lunch.

Can you spot the cabin on the valley floor?

On the last day, I didn't have the energy for an 11-mile round trip to Farewell Gap and suggested that we instead hike toward the gap, but not take the trail to the top. This enabled us to tackle our signaling idea for the webcam pointed toward Timber Gap. We decided to stamp out a horse in the snow. Laile provided the artistic direction. The horse had a little bit of a paunch, but it ended up not mattering; the webcam only captured the upper part of the head.

The trip exceeded my highest expectations. (I had already grudgingly accepted that there was only a vanishing chance of falling snow.) I definitely look forward to future trips to Mineral King, including in the winter. Maybe I shouldn't even consider myself as visiting in winter until I've snowshoed nine miles uphill in a blizzard to reach the safety of the cabin (hopefully next winter!).

If you're interested in the thirteen-year development controversy, please consider following my Twitter account @SkiMineralKing. Until 2028, I'll be live-tweeting the 50th anniversary of the surrounding events. After 2028, you'll have to find other sources of entertainment.

Tuesday, August 19, 2014

That Time Tommy Walker Was Kidnapped and Nearly Murdered

Because of this man--Darlene Farley, pictured here in his mugshot as a 19-year-old--Disneyland may very well have never had Date Nites, Dixieland at Disneyland, 76 trombones led by Meredith Willson for the Disneyland '59 event, the 1960 Winter Olympics ceremonies (at a "Disney level"), or even synchronized fireworks and music. That's because on February 23, 1956, Farley kidnapped Disneyland entertainment director Tommy Walker (pictured below) from his home in West Anaheim and held him for a harrowing night around the city.

Tommy rose to prominence while at the University of Southern California, where he was the band's drum major and (simultaneously) the football team's placekicker. Along with Dick Winslow (another character also later involved with Disneyland), Tommy wrote the "Charge" trumpet anthem used by USC and then the Los Angeles Dodgers and seemingly every other athletic team in the country. After graduation, he stayed at the university as the assistant band director, and later the director. He came to Walt Disney's attention during the halftime show for the 1955 Rose Bowl, Walt attending because Disneyland had a float in the parade that year. Walt invited him to orchestrate the Park's grand opening six months later, and Tommy stayed on for the next twelve years.

Presumably Tommy was at work that February day. Since I have written a Disneyland Almanac, I can provide some color for the day. The Park was scheduled open from 10 a.m. to 8 p.m. and had a whopping 979 guests show up, due to the 0.16 inches of rain which fell. I know Tommy would have different feelings, but that's a date I'm going to mark to go back to.

Tommy and his father Vesey--another historic Disneyland employee as leader of the Disneyland Band from 1955 to 1968--lived on the same suburban street in West Anaheim, in houses constructed the same year Disneyland opened. I just drove on the street past their houses two days ago, so I can attest to the quiet nature of the neighborhood.

Farley, a man unknown to Tommy, showed up at his door that Thursday night, blood-spattered and slightly drunk. Conveying that he had been in an automobile accident and needed a tow truck, Tommy drove him to his father's house. (Tommy apparently did not have a telephone.) This accomplished, Tommy drove Farley to Farley's house, where he returned to the car with a .22 caliber rifle.

Farley had Tommy drive him to the garage where Farley's car had been towed. Failing to get the mechanics to immediately fix his car, Farley ordered Tommy to drive him to a girl friend's house. The Associated Press account provides the chilling details Tommy told police:
When Walker refused to call for the girl, Farley ordered him to drive down a lonely road.

The police account said Farley then commanded Walker to stop the car, get out and stand in front of the headlights.

Walker said he tried to cover his heart and head with his hands as Farley's voice came from the darkness:

"You've been nice to me. But I killed my brother and I liked my brother a lot more than I like you."

Then the gun fired, The first shot splattered in the mud at Walker's feet. The next two whizzed past the ex-drum major's head.
This quasi-execution failed, Farley ordered Tommy in the car, stating they were going to Mexico. They stopped in a bar where Tommy was "well known" (I really wanted this to be the Doll Hut, but that didn't exist until 1957). Unfortunately, Tommy couldn't communicate to friends that he was a captive. Farley had Tommy drive him back to the garage where his crashed car was awaiting repair.
En route police officers spotted them and decided the pajama-clad Walker and his bloody companion looked suspicious.
The last newspaper article I saw about this indicated that Farley was set to stand trial in Orange County Superior Court on May 27, 1956. He was charged with two counts of armed robbery and kidnapping; the kidnapping charge could have brought a possible death or  life imprisonment. I admit to not having looked into the court record; if anybody out there does, PLEASE let me know the outcome of the case!

I was just so struck by how early this was in Tommy's career. Anything entertainment-related at Disneyland from 1955 to his resignation in 1966, he had a hand in. More personally as a former Tour Guide, he was in charge of Customer Relations at the time the Guided Tour program came into being. But leaving his Disney contributions aside, Tommy was a major entertainment figure in the 1960s through the 1980s. He continued to do Olympics ceremonies (including the 1984 Summer Olympics in Los Angeles), Fourth of July shows, balloon events, Super Bowls, Presidential Inaugurations (including Richard Nixon's second in 1973 and Ronald Reagan's first in 1980), and the Statue of Liberty's centennial celebration in 1986, among so many others. Tommy died way too young, at age 63, during open-heart surgery in Birmingham, Alabama.

Tommy's contribution to Disneyland's history is impossible to quantify. Like other extraordinary members of the early Disneyland, Inc., team, he made Disneyland what it was and shaped expectations for the generations to come. It's amazing to think that one terrifying, oddball night could have derailed so many good memories we've all had through the years. But as my current research is showing, Disneyland wasn't a complete fantasy environment, walled off from the "real world." It was and is very much a part of it, and I feel that makes it all so much more meaningful.

Thanks for the fireworks, Tommy. They're about to go off outside my window.

(Photo courtesy Stuff from the Park)