Tuesday, November 3, 2009

On Disneyland Employees

Today, I have a reading comprehension exercise for you. The above excerpt is from the January 15, 1976 Disneyland Line. The text is rendered below:
Disneyland is one show that Ride Operator TOM PLETTS has been a Permanent Part-time cast member of for over 15 years. Currently in Fantasyland, Tom has been performing on stage since his preschool years and has continued his semi-professional career here in the Park with our Drama Workshop.

"Chicken Ranching for Fun and Profit," was a comic melodrama that Tom performed in one summer for our guests through the Entertainment Division. He has been an active member of our Drama Workshop since its inception in 1970.

Attending the Film Industry Workshop in Studio City takes up most of Tom's spare time. His main interests are in the motion picture business, however, he does enjoy photography, art and jazz.

"Walt Disney made the most lasting impression on me since I've been working in the Park," said Tom. "He was a childhood idol anyway and seeing him and talking with him were great experiences."
I'm sure it jumped out for you as it did for me. No, not the somewhat awkward grammatical construction ("of for"). No, not even that, according to this, "Chicken Ranching for Fun and Profit" was performed for Guests. No, what jumped out at me was there in the first line, where the Line refers to Tom Pletts as a cast member. This is the earliest such reference I have found.

Any regular reader of this blog is well aware that those employed by the Disneyland Resort are Cast Members. For all you can read about Cast Members, you might expect that this is how it has always been. Disneyland has always been a Show and therefore its employees have always been called Cast Members. (Even Van France's book Window on Main Street doesn't mention this 1970s shift. As Disneyland's founding trainer and a man intimately involved with the Disney University for many years, Van would have come up with this language.) But it took twenty-one years for the term to enter the Disney lexicon and several more years, at least, for it to displace the existing "Disneylander" and "Disneyland employees" references. This conscious shift to a show language occurred in the mid-1970s, as the Disney University professionalized its offerings and communication style, including improving the Disneyland Line.

Disneylander is the original term referring to 'those who work at Disneyland' (and the title of the monthly publication for such workers in the 1950s). It was used not just for internal communications, but also in the pre-opening newspaper insert, Vacationland, and the guidebooks handed out to Park Guests. Its vagueness meant it could and did apply to those employed by Disneyland, by WED (working on the Santa Fe & Disneyland Railroad or the Disneyland-Alweg Monorail System before Retlaw), or by the lessees. Today, when the number of lessee personnel is so small, this may seem like an unimportant matter, but in the 1950s the number of lessee personnel may have outnumbered the Disneyland, Inc. employees. Most of the shops, many restaurants, and some of the exhibits (i.e., most of Tomorrowland) had such outside personnel. The divide between those employed by Disneyland and those employed by others just wasn't there, and needed unity was doubtless aided by calling everybody Disneylanders.

The term Disneyland employee also has a long history. It wasn't as preferred as Disneylander early on, but Disneylander publications in the 1950s did use it, and it appears in the 1965 Park guidebook. When the Disneyland Line began publication in 1969, the term appeared in practically every issue. By the time of the Line, a much greater proportion of those working at Disneyland were directly employed by Disney, and thus the distinction between such individuals, Retlaw, and lessee personnel became a little more important. Disneyland had long ago assumed control of most food and merchandise operations, and there were far fewer exhibits in the Park employing outside personnel. Aside from the weekly references to Disneyland employees in the Line, The D.E.C. (Disneyland Employee Cafeteria) Backstage under New Orleans Square and the Disneyland Employees Federal Credit Union (today's Partners Federal Credit Union) incorporated this nomenclature.

The term Cast Member took several years to establish itself and resulted from the Disney University's communications professionalization. Under the editorship of former Attractions Hosts Joel Halberstadt and Ron Kollen, the Line itself became more standardized in appearance and more formulaic in approach. (The use of formulaic isn't meant to denigate the Line's content, as there were some great articles in the 1970s. It is merely to represent that previously the Line's content from week to week was unpredictable.) It makes sense that the text would also reflect greater Disney sophistication. The word Show itself in the Disneyland Line dates back to at least November 27, 1974, when the publication began an introduction to a Cycling Shop article thusly:
One of the qualities of the Park that consistently impresses our guests is the fresh, new look about most everything. Although every craft in the Maintenance Dept. is concerned with the "Show" aspect of Disneyland, this week we'd like to take a good look at the area that might be more intimately involved than most...
Backstage had been in the Disney lexicon at least as early as 1962, when the employee publication of the same name began publication. But, as I mentioned above, Cast Member (or, more accurately, cast member) didn't appear until January 1976. It's debatable whether the author intended that use of cast member in the sense that we now know (since Tom Pletts also performed in "regular" shows). The term did not appear again (this time familiarly capitalized) in the Line until April 22, 1976, in an article about the Inn Between. The first hint is on the front page:

the Inn Between serves the year-round needs of the Disneyland Cast with the major emphasis on appetites. This Backstage Buffeteria serves a complete assortment of meals prepared by an expert staff.
The first familiar, capitalized reference is on the second page. Fittingly enough, the paragraph uses both Disneyland employees and Cast Members, seemingly interchangeably:

One of the unique aspects of the Inn Between is serving Disneyland employees, many of whom spend their day serving guests. Lead Karen Johnson commented that because Cast Members who use the Inn Between are there for such a limited time, "there is extra pressure to move them through quickly and still treat them with the kindness that they extend to guests."
There you have it. What appears to be the first official use of Cast Member comes not in a stirring tribute to the men and women of the Park, but in a buried comment about how it's important for the Cast to be served quickly at its cafeteria. It did, however, take several years before Disneyland employees became taboo. It still showed up in Disneyland Lines of 1977 and is in the Fall/Winter 1978-1979 guidebook. As I continue to closely examine each and every Line, I expect I'll be able to document this transition more fully--one of the most important language transitions in Disneyland's history. (Other important linguistic curiosities in Disneyland's history include the shift to Disneyland Park, the replacement of attractions for rides, and the origin of the theme park appellation.)

I'll leave you with this essay from the May 1957 Disneylander (periodical), entitled, "What is a Disneylander?":
A Disneylander is both male & female, comes in assorted sizes, shapes and colors. Never seems to have a last name, answers to Jo, Louie, Hutch, Chuck, Judy, Joan, Alice, Mary, Walt and Hey you!

He's a river boat captain; top-hatted gambler of the lawless West; rocket pilot with plexiglass helmet; angel of mercy in white; or an indian on the war path. He's an executive in an old Buick or a teen-age ice cream vendor with a 1957 Chevy; likes his steaks rare and Pepsi-Cola strong. His diet is unique and consists of large quantities of malts, coffee, hot dogs, banana splits, coffee, tuna sandwiches, coffee, Yankee bean soup, hamburgers, more coffee, french fries and fritos.

Now, it's a scientific fact that mice cannot live on this diet which seems to provide a real snappy comeback to the old "are you a man or a mouse" question.

He's a walking source of information; knows where to eat; most direct route to the comfort stations; drinking fountains and lost parent department, but never knows the best road to Knott's Berry Farm.

Disneylanders represent every profession; teacher, mother, artist, cowboy, Indian, carpenter, secretary, clerk, cook, painter, mechanic and photographer.

With a sticker on the windshield, I.D. card in hand, he's top-drawer with the local small fry who regard him with that special "gee, he works at Disneyland every day" look.

Naturally every red-blooded Disneylander is loaded with ride passes and is considered by the in-laws as a very soft touch. (We know this is just an ugly rumor)

By golly, this Disneyland character is pretty great, in fact, the most!

Welcome to the Magic Kingdom.
What a swell job!

Saturday, October 31, 2009

Halloween: The Holiday That Brought Disneyland to Anaheim


Halloween at Disneyland? That’s only really been celebrated since 2006, right? Sure, Mickey’s Halloween Treat debuted in 1995, and Haunted Mansion Holiday emerged as a combined Halloween/Christmas themed attraction in 2001, but Disney's HalloweenTime celebration begun in 2006 sets the Disney standard for Halloween. Disneyland, however, has a much longer record of celebrating Halloween that extends beyond the gates. (It would almost have to be outside the gates, as Disneyland has been closed on October 31 nine times in its history—including 1955.) In Disneyland’s early years, Anaheim hosted a Halloween extravaganza with a pedigree dating back to 1924, with Disney often lending its support. There is even evidence that Disney’s involvement in the 1953 celebration helped Walt Disney choose Anaheim as the site of Disneyland!

My introduction to the annual Anaheim Halloween Festival came from the October 1957 Disneylander (the monthly publication for Disneylanders published by the Disneyland Recreation Club). The issue described in detail the contributions of Disneyland employees to the 34th Annual Anaheim Halloween Festival (more on that below). Through another Disneylander and a surfeit of archival newspaper articles, I’ve pieced together Disney’s involvement in and support through the years of what is now known as the Anaheim Fall Festival. Below I point out Disneyland’s Halloween activities from 1953 to the present, through when Disneyland first (tentatively) got into the Halloween spirit to the present all-consuming celebration.

Disney first became involved in the Anaheim Halloween Festival in 1953. The tradition extended back to 1924, when a crowd estimated at 20,000 watched grand marshals Walter Johnson and Babe Ruth in the parade (perhaps the most exciting baseball parade in Anaheim until 2002). The tradition included a breakfast in the park, a children’s parade, and a nighttime parade, with tens, then hundreds, of thousands of people coming to Anaheim to witness the largest Halloween celebration around.

A 1953 Los Angeles Times article could not boast with more superlatives: “biggest Halloween party in the nation” … “first in the country to stage a community-wide Halloween celebration to keep youngsters out of mischief” … “biggest night procession in the country.” And yet the most significant part of the 30th annual festival could hardly have been recognized at the time, for how many knew that Disney was shopping around for locations for its Park?

Disney participated by designing floats for the Fairyland division and providing such characters as Snow White, Peter Pan, and Pinocchio. They also provided one of the float judges, but sources conflict over whether this was Joe Reddy (publicity director at the Studios) or Nat Winecoff (on Walt’s personal payroll). The bigger story, however, is what went on behind the scenes. Earne Moeller of the Anaheim Chamber of Commerce was angling to increase the prestige of the festival beyond its already lofty reputation. Also recognizing that Anaheim’s future did not lay in agriculture, Moeller also hoped to attract the attention of Los Angeles industry.

At the time Disney received Moeller’s invitation to participate in the 1953 festival, Walt’s men already had Anaheim on their radar as a potential site for the Park. They used the invitation to (they thought) stealthily gain the confidence of Anaheim officials and learn the finer details of city ordinances and building requirements. It is altogether possible, however, that Moeller had advance knowledge of Disney’s search, and extended the Halloween Festival invitation in an effort to bring the planned park to Anaheim. Todd James Pierce will have more details on these wheelings and dealings in his forthcoming book on 1950s Disneyland and its non-Disney offspring. The book’s working title is The Artificial Matterhorn and is one I very much look forward to.

Again in 1954, as construction on The Site continued apace, Disneyland had a strong presence at the annual Anaheim Halloween Festival (theme: “Legends and Fantasies”). One of the five divisions was a “Disneyland” one, and Donald Duck served as the grand marshal for the parade (the first of several times that a Disney character would perform in that capacity).

October 31, 1955. Monday. What are the odds that Disneyland would be closed that first Halloween? Well, one-in-seven. Beginning Monday, September 12, 1955, Disneyland was closed on Mondays in the off-season. (The next year, this was expanded to Mondays and Tuesdays, in an operating schedule that lasted with few variations until February 6, 1985.) Halloween 1955 fell on the eighth day Disneyland was ever closed. Disney’s participation in this year’s Halloween festival was more subdued than in the two previous years (there was no Disneyland division this time), but the Disneyland Circus Wagon did bring home honors as the best Horse Drawn Float (conveniently around for the Park’s forthcoming Mickey Mouse Club Circus). This year Knott’s Berry Farm “Birdcage Theatre” float won the Grand Prize.

I haven’t found too much on the 1956 festival, but Wally Boag did serve as master of ceremonies for the traditional festival breakfast. Wally also served as master of ceremonies for entertainment in the 1961 celebration.

The 34th Annual Anaheim Halloween Festival in 1957 was run by Disneylanders. Myrt Westering (in charge of Swift’s Red Wagon Company at Disneyland, which operated the Market House and Red Wagon Inn) served as festival chairman and was assisted by Tommy Walker (Disneyland’s entertainment impresario). (Walker’s participation leads me to believe this festival would have been the one to see!) Preceding the parade, the Mouseketeers performed at La Palma Stadium—said to be the first time they had performed outside of Disneyland. One of the parade’s five divisions was a Disneyland affair: the “Fairy Tales” division, captained by Bud Coulson (the Park’s lessee liaison in its early years) with assistance from Ron Dominguez (the Disneyland Site native and later Park VP who has a well-deserved reputation for community involvement). The Disneyland Merchants Association (sort of a Chamber of Commerce for Disneyland lessees) entered its own float in Bud’s division, and naturally a Disneylander served as the parade’s queen: Judy Underwood of the Frontier Trading Post. But in a twist rich with irony for the future Halloween drama between the two theme parks, Walter Knott served as grand marshal for this year’s parade.

1958’s festival wasn’t quite the Disneyland show as the previous year’s, but it still featured participation of Disneylanders. Again, the parade featured a division with a theme keyed to Disneyland. This year it was the “Fantasy” division, captained by Rose Wilson from Main Files, with assistance from Larry “Hutch” Hutcheson of Guest Relations. Dee Fisher, Wurlitzer organist, coordinated the Disneyland Halloween costume contest a week before the parade to determine who would ride on the Merchants Association’s float; he also performed in the parade itself. Also participating in the parade were Disneyland icons the Disneyland Band and the Omnibus. Red Wagon folks Tommy Scheid and Charlie Fowler helped with the festival’s annual breakfast.

The 41st Annual Anaheim Halloween Festival in 1964 was again centered on Disneyland, with a “Festival of Fantasy” theme. The parade had divisions one would expect for such a parade—Tomorrow Land, Adventure Land, Frontier Land, Fantasy Land, and the El Bekal Shriners. (Like “Main Street, U.S.A.” “El Bekal Shriners” doesn’t have land in its name, either.) This parade was noteworthy in having the participation of the six finalists for the first Disneyland Ambassador tradition: Venita Wold; Glenellen Cooper; Marcia Miner (who served as the 1967 Ambassador); Ethel Walker; Julie Reihm (who was selected for the position); and Kathy Albright.

Disneyland continued to participate in the parade through the years. In 1965, the Park donated costumes for the Kiddie Parade; that year, the Dapper Dans participated in the parade. In 1970 Disney used the parade to advertise “The Aristocats.” Disney characters continued to serve as grand marshal: Goofy in 1973, Cinderella in 1987, and Mickey in 1978, the same year that Disneyland, Carl Karcher, Herb Leo and others helped to save the parade after the Anaheim Chamber of Commerce had pulled its support.

From time to time, in light of the tremendous success Knott’s Berry Farm had with its Halloween Haunt (begun in 1973), Disney would be asked if Disneyland would ever itself celebrate Halloween in the Park. In 1983, Park spokesman Bob Roth indicated that Disneyland had effectively conceded Halloween for the time being. The time was used as a lead-in for “Mickey’s Month,” an on-and-off celebration begun to celebrate the Mouse after his 50th birthday in 1978. In early 1988, Jack Lindquist (then in Marketing, Disneyland President as of 1990) suggested Disneyland was contemplating some sort of family Halloween event, but come October, Roth was again saying Disneyland didn’t need Halloween: “It’s one of those things we keep putting off till next year (or) we get comfortable with the format.”

With the number of times a Disneyland Halloween celebration was put off, then, it’s curious that the first Halloween event held for Guests was such a debacle. In concert with KIIS-FM and Rick Dees (who was broadcasting live from the Haunted Mansion on Halloween morning), Disneyland in 1994 offered free admission to anybody who showed up at its gates before 8:30 a.m. Free admission? And all you have to do is show up in costume? And the popularity of this event caught anybody by surprise? Gridlock, of course, developed around the Park and backed up the Santa Ana Freeway, keeping many from gaining the free admittance they sought. Community schools weren’t too thrilled with this promotion, either, and the stunt wasn’t repeated. 1994 also marked the first year of the continuing Cast Member exclusive event Little Monsters on Main Street.

The next year Disneyland threw its first themed event for Halloween: Mickey’s Halloween Treat!, held the evenings of October 26, 27, 30 and 31. Envisioned as an event complementary to Knott’s events (rather than in competition), it featured trick-or-treating at fifty locations around the Park, a Kids Costume Cavalcade, and seasonal food items. Starting in 2001, Disney’s ambitions toward owning Halloween accelerated. The Haunted Mansion Holiday premiered that fall, mixing the Park’s only year-round Halloween-like attraction with the very popular world of Tim Burton’s "The Nightmare Before Christmas." The overlay was an immediate smash, repeated every year thereafter. Disney’s HalloweenTime debuted on September 29, 2006 as a promotion that transformed both theme parks with special shows and lavish decorations.

The Anaheim Halloween Festival has fallen on hard times more than once. I already mentioned Disney’s role in saving it in 1978. After declining in popularity, the Festival went on hiatus from 1992 through 1994, returning in 1995 as the Anaheim Fall Festival (the name under which it is still held today). And despite the success of the Disneyland Resort’s HalloweenTime promotion, Disneyland still actively supports this community celebration—even if few now remember, they go way back.

Wednesday, October 28, 2009

I'm Waiting for This in Google's LIFE Photo Archive

From the July 1957 Disneylander:
Opening Day memory: BUD COULSON...will never forget the wonderful experience he had on opening day as he guided Life magazine photographers, Allen Grant and Loomis Dean to vantage points. They took over 1,000 pictures that day, including many rolls from the top of the TV camera tower in the Plaza. It's still a mystery as to how Allen and Loomis negotiated that tower with cameras in both hands as well as around their necks.
I have yet to see these appear in the LIFE photo archive hosted by Google.

Wednesday, October 14, 2009

What a Week

The October 1, 1975 Disneyland Line noted:
Leisure plans and carefree days are on the agenda for these Disneyland employees who retired this week. They will be taking with them countless memories and experiences as well as our warmest wishes. Each and everyone of them will be missed.
Following this is a list of 34 names. In these days the Line would normally only mention one or two people that may be retiring, if any. Later, the Line had a regular "Golden Ears" column that included a photo and paragraph describing retirement plans for long-tenured Cast Members. As I recognized many of the names on the list, it seemed an almost historic group of retirees. As of July 17, 1975, there were 109 Club 55 members. Five Club 55 members, or 4.6% of the total, retired this one week! Most of the other names I've come across several times thus far in my thesaurusing activities. Here is my annotated list of retirees, all drawn from the information I've already assembled:
  • Howard Block: Employed at the Park for 20 years and served as a Foreman on most Park attractions.
  • Helen De Masi: Decorating Department.
  • Harry Dickey: Animation Department, Actuator Shop.
  • Herman Falk: Paint Shop; received a 15-Year service award in November 1975.
  • Eugene Galentine: Club 55 member of the Disneyland Fire Department.
  • Kenneth Getty
  • Robert Hanna: Retlaw Foreman on the Santa Fe and Disneyland Railroad; contributed to Backstage Disneyland ("Mainly on Main Street" column) and received a 15-Year service award in November 1974.
  • Herman Heidel: In Disneyland's Plumbing Department since 1957; received a 15-Year service award in November 1975. In 1971 Herman was a representative on Disneyland's Maintenance Safety Committee (each Maintenance department had one) and in March 1974 had a winning Creative Idea to disperse a foam build-up on the Bear Country waterfall.
  • Dorothea Heidemann: Merchandising; received a 10-Year service award in November 1973.
  • Homer Holland: Club 55 member from Main Street Operations. Homer served on several committees (Employee Cafeteria Food Committee, Operations Safety Committee, Main Street Stage Safety Committee) and in September 1973 had a winning Creative Idea to mount rear-view mirrors on the Main Street horseless carriage and fire trucks.
  • Steve Horvath
  • Carolyn Hughes
  • Edwin Johnson: Maintenance; received a 10-Year service award in November 1974. Served as the Maintenance coordinator for Disneyland's 1971 United Fund drive.
  • Katherine Kilpatrick: New Orleans & Plaza Inn Kitchens.
  • Lulu Miller: Club 55 member of Costuming. Lulu was known to everybody at the Park for her motherly ways. Stuff from the Park has a photo of Lulu taken in the late 1950s.
  • George Kohlenberger: Sound Department; received a 10-Year service award in November 1975. With others (including my uncle), George helped maintain the first Great Moments with Mr. Lincoln show at Disneyland.
  • Walter Lindstedt: Maintenance; in 1972 participated in a 16-week blueprint reading class with other Maintenance Cast Members at the University of Disneyland.
  • Urban Mendoza: New Orleans & Plaza Inn Kitchens.
  • Adrian Munoz
  • Ralph Myers: Finance Division; received a 10-Year service award in November 1973. Ralph was one of the original signers of the Charters of Organization for the DRC [Disneyland Recreation Club] Federal Credit Union (today's Partners Federal Credit Union).
  • Charles Nichols: Came to Disneyland in 1959 at the request of Eddie Meck as the head of Disneyland's Photo Department; received a 15-Year service award in November 1974.
  • Ethel Penfield: Worked at the Baby Station since 1957 (possibly from its very first day). In 1975 Ethel recalled, "One man came in with his family and told us that through the years I had helped change and feed all six of his kids!"
  • John Power: Superintendent of the Electrical Department; received a 15-Year service award in November 1973.
  • Fred Roamer
  • Fran Salazar: With Landscaping since the late 1960s.
  • Elias Salloum
  • John Schimmelman
  • Joe Soto: Landscaping; received a 15-Year service award in November 1974.
  • Golvin Street: Main Gate Ticket Taker.
  • Charlotte Teague
  • Helen Westin
  • John Westlake: Maintenance; received a 15-Year service award in November 1974.
  • George Williams: Club 55 member and Mill Foreman.
  • Hugh (Woody) Woodsworth: Club 55 member in Payroll.
That's quite a roster to walk out the door in one week!

Wednesday, August 5, 2009

Disney's California Adventure Hours

As a follow-up to yesterday's post, a present a similar table for Disney's California Adventure operating hours. The big difference is that, unlike for Disneyland, I do have operating hours for each day in its history. Notice the experimentation that went on early in its history in 2001 as management tried to determine the best hours for the Park. It's very rare these days for Disney's California Adventure to open before 10!

Tuesday, August 4, 2009

Disneyland Park Hours

As followers of this blog know, one of my goals with the thesaurus is to have a day-by-day history of the Resort, including operating hours, openings, closures, notable visits, events, etc. I have operating hours for about half of the days since Disneyland opened and thought I'd share some statistics regarding those 10,000+ plus days I've documented thus far. The table below provides the operating hours, the number of days which the Park had those hours, and the first and last days I've documented as having those hours. Since I'm still missing a significant number of days, these statistics should not be considered representative of hours for Disneyland's entire history.

Sunday, July 19, 2009

50,000 Terms

I marked a milestone last Tuesday, July 14, as I entered the 50,000th term into the Disneyland Resort Thesaurus at 11:06 PM EDT. At roughly 50,000 terms a year, I expect I'll reach 100,000 terms in the summer of 2011 and 1,000,000 terms in 2047. Of course, the number of terms isn't the sole criterion on which to judge the thesaurus--the number of relationships also count, as does the amount of information recorded for each. There are more than 131,000 relationships contained in the thesaurus and in the past week I have edited 2,224 terms (or 4.4% of the total thesaurus). So, when I'm not posting here, I am still busy working behind the scenes on gathering sources and working through them. I've been meaning to undertake a broad look at the state of the thesaurus and its possibilities, but I feel, here, now, I can at least share a little about the sources with which I'm working.

Probably the greatest source in numbers is the Disneyland Line. I estimate there are somewhere over 2,000 of these (52 issues a year [fewer in recent years with a biweekly publication schedule] x 40 years). As of this writing, I have very thoroughly and methodically pulled apart 314 of those, or around 15%. (I have immediate access, either in hard copy or scans, to almost 1,500.) From the earlier monthly Disneylander of the 1950s and early 1960s, I have thesaurused 9 issues out of an unknown total which probably numbers between 50 and 60. For Backstage Disneyland, the quirky publication started by Wally Boag that was published on an erratic basis between 1962 and the 1980s, I have gone through but two issues out of an unknown total that I estimate at somewhere less than 80.

From materials produced for the public, I have input information from 8 of 159 Disney News/Disney Magazine issues. Of Disneyland Holiday/Vacationland, I have thesaurused 13 of about 84 issues. From The "E" Ticket, a mere 5 of the 46 issues. A mere 8 guidebooks from Disneyland's 54-year history. I've only started recording information from 3 of the roughly 26 souvenir wallmaps. I've only gone through a measly ONE copy of The Disneyland News (but it did yield information for 278 terms). I have made it through several books (including Disneyland: The Nickel Tour and Disney A-Z, two of the first sources I worked with), but have yet to start working with other treasure troves such as Disneyland: Then, Now, and Forever and Van France's Window on Main Street.

I have used a few hundred newspaper articles out of about 7,500 saved so far. Other sources will include miscellaneous Cast Member publications (such as land/departmental newsletters and phone directories), interviews, press releases, blog posts, and anything else that contributes substantive information about the history of the Disneyland Resort. (Note that I didn't specify it has to be accurate information; it's just as important to document the origins of misconceptions!) I'm meticulously documenting where all the information comes from and what sources have been used or should be used, so if I drop dead tomorrow somebody would know exactly what I had done.

If anybody has bibliographic information for the Disneylander or Backstage Disneyland, I'd appreciate it, as I would a staff to help me out!